飞虎出征

★ 0.3 播放:58万 更新:2026-04-22

飞虎队B队队长阿强(杜汶泽暂无内容饰)在一次任务后遇到了前所未有的危机,上司(王敏德暂无内容饰)对其整个小分队表示失望,下属阿富(余文乐暂无内容饰)私下表示想要转到实力更强的A队。阿强为了重振士气决定开展一次特殊的任务,那就是带领小组队员偷渡去澳门嫖妓。可是事与愿违,此次行动漏洞百出,下属虾米(曾国祥暂无内容饰)误用强力神油导致4人被澳门警司抓进警局,下属家豪(邹凯光暂无内容饰)弄丢了全队的钱被迫偷老父亲(刘江暂无内容饰)的钱导致父亲心脏病发……好在在“培训员”细细(刘安琪暂无内容饰)的帮助下,4人得以脱生,可在逃亡途中新的冲突又再次发生。

在线播放

剧情简介

飞虎队B队队长阿强(杜汶泽暂无内容饰)在一次任务后遇到了前所未有的危机,上司(王敏德暂无内容饰)对其整个小分队表示失望,下属阿富(余文乐暂无内容饰)私下表示想要转到实力更强的A队。阿强为了重振士气决定开展一次特殊的任务,那就是带领小组队员偷渡去澳门嫖妓。可是事与愿违,此次行动漏洞百出,下属虾米(曾国祥暂无内容饰)误用强力神油导致4人被澳门警司抓进警局,下属家豪(邹凯光暂无内容饰)弄丢了全队的钱被迫偷老父亲(刘江暂无内容饰)的钱导致父亲心脏病发……好在在“培训员”细细(刘安琪暂无内容饰)的帮助下,4人得以脱生,可在逃亡途中新的冲突又再次发生。

导演精选

走心男

影片翻拍自阿根廷电影《膝下无子》,讲述了高中时期遇见初恋的男人无意间将家庭史变成秘密而展开的一系列风波浪漫喜剧故事。

毛骨悚然撞鬼经 2012夏季特别篇

  《红指甲》备受人际关系困扰的公司职员石田(山下智久 饰)回家途中意外拐错了叉路口,险些丧命。据说走错叉路口的人绝对不可以把看到的东西告诉别人,否则对方将遭遇不幸。某晚,石田突然想起了那一天看到的景象。《被诅咒的病室》新人护士佐野爱莉(刚力彩芽 饰)偶然发现,居住在308病房的病人,去世前总会凝视着病房屋顶某个地方,那里似乎有什么东西存在。《右肩之女》近段时间,青年利也(冈田将生 饰)总是感觉肩膀很沉,他颇有些灵力的女友告诉他,他的右肩待着一位大婶;《午夜末班车》男子(スギちゃん 饰)看错时间,错过了一个小时前的地铁末班车。正当他懊悔之际,他的眼前停靠了一辆空无一人的列车;《夏日回忆》聪美(香里奈 饰)不久前与爱慕自己的青梅竹马好友小悠(菅田将晖 饰)生离死别,某天晚上,小悠的身影出现在聪美床头……

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.